Jan Lisiecki

Renowned for his innovative and intelligent programming, Jan Lisiecki here explores the music of the dance in its many forms: from the majestic formality of Chopin's 'Heroic' Polonaise to the thrilling abandon of Falla's Ritual Fire Dance in the virtuosic transcription by Arthur Rubinstein.

Jan Lisiecki is one of the most sought-after concerto soloists performing today. Recent return invitations in recent seasons include Boston Symphony Orchestra, Cleveland Orchestra, Philadelphia Orchestra, Filarmonica della Scala, Orchestra dell’Accademia Nazionale di Santa Cecilia, and Orpheus Chamber Orchestra for performances at Carnegie Hall and Elbphilharmonie Hamburg. Lisiecki recently performed a Beethoven Lieder cycle with baritone, Matthias Goerne, at the Salzburg Festival, and has appeared with the New York Philharmonic, Chicago Symphony, Staatskapelle Dresden, Orchestre de Paris, Bavarian Radio Symphony and London Symphony Orchestra.

At the age of fifteen, Lisiecki signed an exclusive contract with Deutsche Grammophon. The label launched its celebrations of the Beethoven Year 2020 with the release of a live recording of all five Beethoven concertos from the Konzerthaus Berlin, with Lisiecki leading the Academy of St Martin in the Fields from the piano. His Beethoven Lieder cycle with Matthias Goerne, released shortly after, was awarded the Diapason d’Or. Lisiecki’s eighth recording for Deutsche Grammophon, a double album of Frédéric Chopin’s Complete Nocturnes, appeared in August 2021 and immediately topped the classical charts in North America and Europe. His recordings have been awarded with the JUNO and ECHO Klassik.

At eighteen, Lisiecki became both the youngest ever recipient of Gramophone’s Young Artist Award and received the Leonard Bernstein Award. He was named UNICEF Ambassador to Canada in 2012.

Camerata Musica Cambridge takes its name from the celebrated Florentine Camerata — or Camerata Fiorentina — founded in Florence in 1573 by a group of scholars and musicians to promote a revival in what was then defined as Classical music or ‘musica antica’ — the music and poetry of antiquity — with a view to bringing a new generation into contact with its riches.

Cambridge’s Camerata Musica has a similar objective. It exists to bring new - and, in particular, student - audiences to classical music. It offers its audience the opportunity to hear some of the greatest masterpieces of the Western musical canon in performances by interpreters of international distinction. It is the only concert programme in the country that reserves more than half its seats for students and those under 25. These tickets are made available at generously subsidized prices.

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